Creature Conversations with Creators
Description: Amazing Creatures!!!! Are they real, do they exist outside of the imagination, how do they become real and from where? Where does the inspiration come from to create never before seen creatures? What kind of creative courage does it take to go through the door into that never before seen and unknown design territory? Listen to this AMA-zing group of creature creatures discuss this process and their work.
Moderator Sue Nichols Visual Development and Story Artist
For over a quarter of a century Sue Nichols has been one of the most sought after visual development and storyboard people in the animation feature film business, having helped to create some of Walt Disney’s greatest and most memorable animated motion pictures of the 1990′s.
She has held the positions of Director, Art Director, Production Stylist, Model Supervisor, Head of Story, Story, Consultant / Instructor, Story Illustrator / Writer, Visual Development Artist, Character Designer, Design Teacher / Lecturer, Costume Designer, Interior Designer and Merchandise Designer.
She has worked with Marvel Productions, Mike Joens Productions, TMS, Turner Feature Animation, Walt Disney Feature Animation, Disney Television, Universal, Disneytoons, Disney Productions (Live Action), Canum Entertainment, Kid’s Clubhouse.
Sue is currently freelancing story and design work. For more information abut Sue Nichols visit: http://creativetalentnetwork.com/portfolio.php?id=140
Panelist Greg Baldwin of CreatureBox After six long years working on the back of a north-eastern lobster boat, Greg fled to Los Angeles in hopes of something better than a burial at sea. His passion for art led him to complete a BFA at Laguna College of Art and Design where he focused on character design.
After working as a freelance illustrator for a short time, he landed a position designing characters for video games.
Twelve years in the industry, Greg has been fortunate enough to work as a Principal Artist on numerous AAA titles including the Ratchet & Clank franchise for Playstation.
Adding to the adventure, Greg co-founded CreatureBox with Dave Guertin, a successful design house specializing in IP development for companies such as Disney, Autodesk and Marvel and more.
Panelist David Thomas Guertin realized at a very young age that his bones were far too brittle for high impact sports. As a result, he grabbed the nearest pencil and began drawing fulltime while soaking up classic animation and Bill Watterson’s cartooning.
After receiving a degree in Sequential Art from S.C.A.D., Dave began his character design career focused on retro sci-fi and bizarre monsters of all shapes and sizes.
Over the last thirteen years, Dave has served as a Principal Artist in the video game industry, most notably on the Ratchet & Clank franchise for Playstation. In 2007, Dave joined forces with Greg Baldwin to begin CreatureBox, a boutique concept design agency catering to a broad range of clients including Disney, Marvel, and DC comics.
For more information about Greg Baldwin and David Guertin visit: http://www.creaturebox.com
Artist and author James Gurney brings a perspective of realism and scientific accuracy to his work in fantasy.Born June 14, 1958 in Glendale, California. Raised in Palo Alto, the youngest of five children of Joanna and Robert Gurney (a mechanical engineer). Earned a B.A. in Anthropology in 1979 with Phi Beta Kappa honors at the University of California at Berkeley. Studied painting at the Art Center College of Design in Pasadena, where he met his wife-to-be Jeanette, also an artist. In 1984 they moved to the Hudson Valley of New York State, where they raised two sons, Daniel and Franklin.
Panelists William Stout was born in Salt Lake City, Utah in 1949. At seventeen he won a full California State Scholarship to the California Institute of the Arts. He began his professional career in 1968 with the cover for the first issue of Coven 13. In 1971 he began to assist Russ Manning on the Tarzan of the Apes Sunday & daily newspaper comic strips and Eisner Award-winning graphic novels. Stout joined Harvey Kurtzman and Will Elder on Little Annie Fanny for Playboy in 1972. In 1973 Stout began his relationship with the Firesign Theatre and gained international notoriety for his 45 rock ‘n’ roll “bootleg” record album covers.
From 1976 to 1977 Stout was art director for the rock magazine BOMP! 1977 also saw Stout’s first movie poster, WIZARDS. Stout ultimately worked on the advertising for over 120 films. His first one-man show, “The Prehistoric World of William Stout”, was in 1977. Stout was the first American contributor to Heavy Metal. In 1981 Bantam Books published Stout’s landmark masterwork THE DINOSAURS-A Fantastic New View of a Lost Era (Michael Crichton’s acknowledged inspiration for his Jurassic Park novel), followed by Ray Bradbury’s Dinosaur Tales and The Little Blue Brontosaurus (1984 Children’s Choice Award recipient and the basis for The Land Before Time animated feature).
Buck Rogers (1978) saw the beginning of Stout’s film career. Stout has worked on over 40 feature films including both Conan films, First Blood, The Hitcher and Invaders From Mars. Return of the Living Dead made Stout the youngest production designer in film history. Stout wrote The Warrior and the Sorceress for Roger Corman and a dinosaur feature for Jim Henson. He production designed Masters of the Universe and John McTiernan’s A Princess of Mars film project. Stout was the key character designer for Disney’s Dinosaur and designed “Edgar” (the big bug in Men In Black) for ILM. After The Muppets Wizard of Oz Stout worked as a key designer on Guillermo del Toro’s fantasy classic, Pan’s Labyrinth. Stout’s work contributed to the film winning two of its Academy Awards and won Stout a 2006 Chesley Award. He recently was the production designer for the children’s television show Lilly’s Light and contributed to Christopher Nolan’s The Prestige and Frank Darabont’s Stephen King’s The Mist. He is slated to work on del Toro’s At The Mountains of Madness and Darabont’s Fahrenheit 451.
“Dinosaurs Past and Present”, an important group show depicting the history ofpaleoart, broke all attendance records at each host museum. The six-year tour included the British Museum, the Royal Ontario Museum, and the American Museum of Natural History. At the Smithsonian alone, over 2,000,000 visitors saw this exhibition. William Stout: From Antarctica to Zombies, his 2010 career retrospective at the Laguna College of Art + Design, broke all of the college’s former exhibition attendance records.
Beginning in 1987, Stout worked for Walt Disney Imagineering as a conceptualist, designer and producer for EuroDisneyland, Disneyland, TokyoDisneyland and Walt Disney World. After leaving Disney Stout continued themed entertainment design work, contributing to many Disney and non-Disney projects. In 1991 Stout conceived and designed Z Z Top’s Recycler tour.
A 1989 Antarctic voyage led to a 45 painting one-man show Dinosaurs, Penguins and Whales-The Wildlife of Antarctica. This exhibition toured the world (Mikhail Gorbachev personally requested that the exhibition travel to Moscow) beginning with the Natural History Museum of Los Angeles County in 1991. Stout was awarded the National Science Foundation’s 1992-93 Antarctic Artists and Writers Program grant. For three months he was based at McMurdo Station and Palmer Station. He made dives beneath the ice, climbed an active volcano, camped in the dry valleys and produced over 100 paintings of the white continent’s rich abundance of life.
From 1993 to 1994 William Stout researched and painted two murals for the Houston Museum of Natural Science depicting “Life Before The Dinosaurs”. In 1997 Stout began three Cretaceous murals and supervised two full-sized dinosaur sculptures for Walt Disney’s Animal Kingdom. Stout began worked in1998/1999 as the lead designer for Kansas City’s Wonderful World of Oz theme park, and as a designer for Michael Jackson’s NeverLand and a Toronto Dinotopia theme park.
1993’s William Stout’s Lost Worlds was the first of three Stout trading card sets (to date, over 20 million Stout trading cards have been sold). Stout illustrated Abu & The 7 Marvels (Benjamin Franklin Award winner; Bram Stoker and Chesley Award nominee; Gold and Silver Medals from the Society of Illustrators), Richard Matheson’s first children’s book. Stout’s 2004 Tanagra Theatre poster and Cricket cover won Silver Awards from the Society of Illustrators and Spectrum. Stout’s cover for Prehistoric Times #70 won a Gold Award from Spectrum. Stout illustrated The Emerald Wand of Oz and Trouble Under Oz. Stout’s own publishing company, Terra Nova Press, has published over thirty-five books on art and the history of art.
Stout recently completed painting twelve large murals depicting the prehistoric life of San Diego for the San Diego Natural History Museum. William Stout–Prehistoric Life Murals, a book on all of Stout’s mural work and his process in creating them, was published in 2009. Stout’s four most recent books are Dinosaur Discoveries, New Dinosaurs A to Z and two collections of his fantasy work: Hallucinations and Inspirations. Stout also created bestselling ZOMBIES! calendars for 2011 and 2012. 100 Legends of the Blues (with an introduction by Led Zeppelin’s Jimmy Page), the first of three volumes by Stout on the greatest practitioners of blues music, will be published by Abrams in 2011.
Bill is currently painting two murals for the San Diego Zoo. In addition to the San Diego Natural History Museum, William Stout’s murals and paintings are on permanent display at the Houston Museum of Natural Science, Walt Disney’s Animal Kingdom, North Carolina Museum of Natural Science, Orton Geological Museum, Museum of the Rockies and the Lagoon Discovery Center.
William Stout resides in Pasadena, California with his perfect wife where they are occasionally visited by their two brilliant sons.
Panelists Terryl Whitlatch was born in Oakland, California, and started drawing at less than three years of age. Blessed with a mother who was, and still is, a talented artist-illustrator, and a father who taught biology, her fascination with animals started early. Countless weekends were spent visiting zoos, aquariums, and museums, and her father was constantly bringing home mounted skeletons, creatures preserved in jars, and living animals as well – chicken hatchlings, bullfrogs, iguanas, and insects.
After studying illustration at the California College of Arts and the Academy of Art University, Terryl began a career that has spanned over 25 years. She has worked with many major studios and effects houses as a highly sought after creature and concept designer. Clients include Industrial Light and Magic, Lucas Film Ltd., Pixar, Walt Disney Feature Animation, PDI, Entertainment Arts, LucasArts, Chronicle Books, and various zoos and natural history museums.
Terryl has acted as principal creature designer for Star Wars — the Phantom Menace. She designed most of the alien characters and creatures, from concept to fully realized anatomies and stylizations. Some of the significant characters include Jar-Jar Binx, Sebulba, the pod racers, the undersea monsters of Naboo, and the Naboo Swamp creatures. She also worked closely with George Lucas in the redesign of such pre-existing characters as Jabba the Hutt and the dewbacks.
For Disney Feature Animation’s Brother Bear, she designed bear, moose, and other animal characters, from highly realistic anatomical studies to fully branded characters.
She also is the creator and illustrator of three books: The Wildlife of Star Wars: A Field Guide, The Katurran Odyssey, and the newly released Animals Real and Imagined.
Terryl is currently working on a new cutting edge industry project that involves both real animal and imaginary creature designs simultaneously.
For more information about Terryl Whitlatch visit: http://creativetalentnetwork.com/portfolio.php?id=577